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The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.

Publisher: Intellect

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Volume 8, Number 2, 1 June 2017

Editorial

Free Content ‘Between artistic freedom and norms’: Universalism, voice and diversity
pp. 111-115(5)
Authors: Macdonald, Ian W.; Selbo, Jule

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Keynotes

Character, plot and the human condition
pp. 117-126(10)
Author: Jorgensen, Soni

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Diversity and the job of the dramatist
pp. 127-135(9)
Author: Bowker, Peter

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The screenplay
pp. 137-145(9)
Author: Garnett, Tony

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Articles

An introduction to voice in screenwriting
pp. 161-175(15)
Author: Ferrell, Rose

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Conference Report

Reviews

Reviews
pp. 205-213(9)
Authors: Manti, Maria; Bachman, Gregg; Gee, Maxine; Welch, Rosanne

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