Skip to main content
padlock icon - secure page this page is secure

The three-act structure: Myth or magical formula?

Buy Article:

$14.00 + tax (Refund Policy)

Since Syd Field published his book Screenplay in 1979, the three-act structure has become a dominant tool for analysing screenplays and films. While the formulaic nature and constricting effects of this ‘paradigm’ have often been criticized by adherents of independent films, until now its explanatory suitability to classical and mainstream filmmaking has rarely been questioned as such. After commenting on the history of the concept, the article examines how well the model works in practice by statistically evaluating a large number of studies by different authors. This comparison reveals that there is a surprisingly low consensus on how to divide films into three acts. The discrepancies seem fundamentally due to the imprecision and vagueness of the paradigm’s core ideas, and thus neither the functions ascribed to acts nor the concept of plot points appear to be valid tools for ensuring consistency in analysis. Hence mainstream film needs to be seen as more complex – and structural analysis more a matter of interpretation – than the model allows for.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Keywords: dramaturgy; how-to manuals; large-scale segmentation; plot points; screenplay theory; three-act structure

Document Type: Research Article

Affiliations: University of Zurich, Switzerland

Publication date: September 1, 2015

More about this publication?
  • The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting, the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
  • Editorial Board
  • Information for Authors
  • Subscribe to this Title
  • Intellect Books page
  • Ingenta Connect is not responsible for the content or availability of external websites
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
UA-1313315-26
Cookie Policy
X
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more