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Tracing voice through the career of a musical pioneer: A conversation with Pauline Oliveros

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In this conversation from 2014, composer Pauline Oliveros, one of the most important figures in American experimental music, provides insight into her relationship with the voice and when in her career it was most pivotal for her compositional development. Oliveros touches on her 1961 choral piece Sound Patterns, her Sonic Meditations, the works she performed for voice and accordion in the 1970s and 1980s, Deep Listening, and the late operas that she made with her partner, vocalist and poet Ione.
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Keywords: Deep Listening; Pauline Oliveros; Sonic Meditations; accordion; breath; experimental music; singing

Document Type: Research Article

Affiliations: 1: Independent Scholar 2: Composer and Performer

Publication date: March 1, 2017

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  • JIVS provides a forum for scholarly and practice-based engagement with voice as a phenomenon of communication and performance, and a methodology or metaphor for analysis. This peer-reviewed journal draws on an interdisciplinary series of lenses, including cultural studies, critical theory, performance studies, inter-culturalism, linguistics, visual culture, musicology, architecture and somatics.
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