Journal of Contemporary Chinese Art

Journal of Contemporary Chinese Art

ISSN: 2051-7041
E-ISSN: 2051-705X

The Journal of Contemporary Chinese Art (JCCA) is a scholarly forum for the presentation of new research into and critical debate on or concerned with the subject of contemporary Chinese art.

Journal Status	Active
Collection(s)	Intellect Full Collection 2024 Intellect Visual Arts Collection 2023 Intellect Visual Arts Collection 2022 Intellect Visual Arts Collection 2024 Intellect Full Collection 2022 Intellect Full Collection 2023

Latest Articles Lasest articles RSS feed

- Erratum
- Curation-as-branding and the problem with cultural diplomacy: The case of Q Art Group
  
  By Emily Verla Bovino
- K11 alternative diplomacies: Penetrating the global arts markets
  
  By Natalia Grincheva
- Capitalizing on art and artifying capitals: China’s journey to Venice and scandal around the Kenya Pavilion
  
  By Xing Zhao
- 2010s Hollywood science fiction: Telling China’s stories well to the world
  
  By Stephen Andriano-Moore
- Rebranding China through facsimiles: A study of mubanshuiyin reproductions in PRC’s art diplomacy and soft power building, 1952–79
  
  By Yitao Qian
- Digital China and its discontents: On the politics of Sinofuturism and image building at the Venice Biennale
  
  By Gigi Wai-Chi Wong
- From the dilemma of Chinese nation branding and soft power to the performativity of creative power: The TAZARA Memorial Park and artistic intervention in Zambia
  
  By Ruth Simbao
- China’s cautious ‘facetuning’: The art of cultural diplomacy and nation branding¹
  
  Authors: Jenifer Chao and Christopher S. Browning
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Journal of Contemporary Chinese Art

Latest Articles Lasest articles RSS feed

Erratum

Curation-as-branding and the problem with cultural diplomacy: The case of Q Art Group

K11 alternative diplomacies: Penetrating the global arts markets

Capitalizing on art and artifying capitals: China’s journey to Venice and scandal around the Kenya Pavilion

2010s Hollywood science fiction: Telling China’s stories well to the world

Rebranding China through facsimiles: A study of mubanshuiyin reproductions in PRC’s art diplomacy and soft power building, 1952–79

Digital China and its discontents: On the politics of Sinofuturism and image building at the Venice Biennale

From the dilemma of Chinese nation branding and soft power to the performativity of creative power: The TAZARA Memorial Park and artistic intervention in Zambia

China’s cautious ‘facetuning’: The art of cultural diplomacy and nation branding¹

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Most Cited Most Cited RSS feed

New Silk Road artworlds: The art of the hybrid and the marginal at the Xinjiang Contemporary Art Museum

Photography and the Cultural Revolution: A wider aperture, a longer exposure

China's ancient past in its contemporary art: On the politics of time and nation branding at the Venice Biennale

One biennale, two systems: On the Shenzhen–Hong Kong Bi-City Biennale of Urbanism\Architecture

Yatoo and the politics of nature: What ecological thinking discloses of contemporary South Korean art

‘Conservative nativist’ Chinese art in Hong Kong and Mainland China

Contemporary art and ecology in East Asia

Conflicts through the lens of Chinese war photojournalists

An unfinished task: Viewing the legitimization of contemporary Chinese art from the Third Shanghai Biennale

Curating climate change: The Taipei Biennial as an environmental problem solver