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The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film.

Publisher: Intellect

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Volume 6, Number 2, 1 October 2014

Editorial

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Articles

The violence in the spectacle of excessive signification: Shooting Dogs (1995) and the Rwandan genocide
pp. 135-149(15)
Authors: Vambe, Maurice Taonezvi; Khan, Khatija Bibi

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Everything but ‘ordinary’: Representations of Africa in film
pp. 163-174(12)
Author: Sakota-Kokot, Tanja

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Filming violence in Kenya: From the everyday to the spectacular in Hillary Ng’weno’s documentaries
pp. 185-194(10)
Authors: Okong’o, Joseph Basil; Waliaula, Solomon

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HIV and AIDS: The violence of visuality and the visuality of violence
pp. 205-214(10)
Authors: Rwafa, Urther; Mushore, Washington

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