Creative engagement with migration in Morocco: An ethnographic exploration of photographic encounters
This article examines the contentious topic of participation through the lens of a collaborative arts-based project on migration in Morocco. We call for the ethnographic exploration of photographic encounters: that is, participant observation of the processes of shooting, selecting, editing, preparing and exhibiting of photographs and films. First, we explore the need to identify barriers to participation and reflect on the role of researchers. Second, we stress how participatory arts-based workshops can confront Othering stereotypes amongst participants from diverse backgrounds. Third, we challenge social scientists’ tendency to prioritize process over product by considering public encounters as integral to participatory processes.
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Document Type: Research Article
Publication date: April 1, 2019
More about this publication?
- The course of cultures at both local and global levels is crucially affected by migratory movements. In turn, culture itself is turned migrant. This journal will advance the study of the plethora of cultural texts on migration produced by an increasing number of cultural practitioners across the globe who tackle questions of culture in the context of migration. They do this in a variety of ways and through a variety of media. To name but a few relevant aspects of this juncture of migration and culture, questions of dislocation, travel, borders, diasporic identities, transnational contacts and cultures, cultural memory, the transmission of identity across generations, questions of hybridity and cultural difference, the material and oral histories of migration and the role of new technologies in bridging cultures and fostering cultural cross-pollination will all be relevant. Methodologies of research will include both the study of 'texts' and fieldwork.
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