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Home / Choreographic Practices, Volume 11, Number 1
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. The journal provides a platform for sharing choreographic practices, critical inquiry and debate.

Publisher: Intellect

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Volume 11, Number 1, 1 July 2020

Editorial

Free Content Editorial
pp. 3-8(6)
Authors: Midgelow, Vida; Bacon, Jane

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Articles

Letters to Sheila: Improvisational scores in creative practice research
pp. 9-27(19)
Author: Mees, Cleo

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Aristotle and Husserl go dancing: Solo improvised dance-making and the noetic cycle
pp. 29-42(14)
Author: Wass, Andrew

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edged: Exploring the porous boundaries between teaching philosophy, dance performance and choreographic practice
pp. 43-57(15)
Author: Laberge-Côté, Louis

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Choreographic practice research and emotional labour through the x-ray of affective dissonance
pp. 59-74(16)
Author: Ehrenberg, Shantel

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Somatic ethnographic research: A choreographic process informed by Alexander Technique
pp. 75-99(25)
Author: Liska, Suzanne

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Performing Water: Site-specific dance-making as liquid art
pp. 101-122(22)
Author: Coleman, Lucinda

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Subtle, intimate performance in urban space: Ongoing research and notes from Close Distance
pp. 123-147(25)
Authors: Urso, Jen; Standley, Eileen

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Nomadic Making: Enacting difference through collaborative performance practice
pp. 149-161(13)
Author: Brown, Natalie Garrett

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Building Fields of Play: An examination of the use of notational analysis to reinterpret dynamic and sequential movement from Rugby Union to inform the creation of a new dance work
pp. 163-185(23)
Authors: McLay, Grant; McGowan, Lee; Moyle, Gene; Frossard, Laurent

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