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When Sadako Meets Mr. Vampire: The Impact of Ringu on Hong Kong Ghost Films

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This study investigates the cultural adaptation and appropriation of Japanese elements in Hong Kong ghost movies, using Ringu as the main reference. Discussing the impact of Ringu on Hong Kong ghost movies from historical, industrial, and cultural perspectives, it aims to deepen understanding of the interplay of cultural appropriation, domestication, and transnational cultural flows in Asian film making in the age of globalization.
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Keywords: Hong Kong ghost films; J-horror; Japanese ghost films; Ringu; Sadako; globalization; localization

Document Type: Research Article

Publication date: March 1, 2008

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  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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