ISSN 1355-8250 (Print)
Publisher: Imprint Academic
What is art?: Editorial introduction pp. 7-16(10) Author: Goguen, J.A.
Concerning ‘The Science of Art': Commentary on Ramachandran and Hirstein pp. 17-17(1) Authors: Gombrich, E.H.; Ramachandran response, V.S.
Connecting the cerebral cortex with the artist's eyes, mind and culture pp. 21-28(8) Author: Ione, A.
Perceptual principles as the basis for genuine judgments of beauty pp. 29-36(8) Author: McMahon, J.A.
Against the reduction of art to galvanic skin response pp. 37-42(6) Author: Wheelwell, D.
Two sciences of perception and visual art: editorial introduction to the Brussels Papers pp. 43-56(14) Author: Myin, E.
An inquiry into Paul Cezanne: The role of the artist in studies of perception and consciousness pp. 57-74(18) Author: Ione, A.
The cognitive neuroscience of art: a preliminary fMRI observation pp. 75-86(12) Author: Solso, R.L.
Aesthetic ineffability pp. 87-98(12) Author: de Clercq, R.
‘Seeing as’ and the double bind of consciousness pp. 89-112(24) Author: Church, J.
Red and yellow, green and blue, warm and cool: explaining colour appearance pp. 113-122(10) Author: Hardin, C.L.
Experience and experiment in art pp. 123-136(14) Author: Noe, A.
Using science to investigate Jackson Pollock's drip paintings pp. 137-150(14) Authors: Taylor, R.P.; Micolich et al., A.P.; Jonas, D.
Reframing consciousness (review article) pp. 151-156(6) Author: English, G.
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