Conservar Património

Cover and technical information
pp. 1-4(4)

Foreword
pp. 5-6(2)
Author: Irina Sandu

Gilding and painting: the artistic polyvalence of the gilders masters in Lisbon during the age of the baroque
pp. 7-16(10)
Author: Sílvia Ferreira

Typical conservation problems of polychrome wooden sculptures in Slovenia
pp. 17-27(11)
Authors: Martina Vuga; Miladi Makuc Semion

All that glitters is not gold: silver leaf gilding, another means to an end
pp. 29-40(12)
Authors: Tiago Dias; Elsa Murta; Cristina Barrocas Dias; Vítor Serrão

Gilding materials and techniques - comparison between altarpieces and their sculptures: a case study
pp. 41-49(9)
Authors: M. Oliveira; E. Murta; L. Dias; J. Mirão; A. Candeias

Gold and not so real gold in Medieval treatises
pp. 51-58(8)
Author: Srebrenka Bogovic-Zeskoski

Gilders and painters-gilders in the Golden Age of Évora
pp. 59-66(8)
Authors: Antónia Fialho Conde; Custódia Araújo; Milene Gil

Gilders and painters-gilders in the Golden Age of Évora
pp. 59-66(8)
Authors: Antónia Fialho Conde; Custódia Araújo; Milene Gil

Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries
pp. 67-72(6)
Author: Patrícia Alexandra Rodrigues Monteiro

Painting with gold: gilders in Northern Alentejo in the 17th and 18th centuries
pp. 67-72(6)
Author: Patrícia Alexandra Rodrigues Monteiro

Norms for collaboration and author guidelines
pp. 73-78(6)

Norms for collaboration and author guidelines
pp. 73-78(6)