Chunking in Music by Coarticulation
In our own and other research on music-related actions, findings suggest that perceived action and sound are broken down into a series of chunks in people's minds when they perceive or imagine music. Chunks are here understood as holistically conceived and perceived fragments of action and sound, typically with durations in the 0.5 to 5 seconds range. There is also evidence suggesting the occurrence of coarticulation within these chunks, meaning the fusion of small-scale actions and sounds into more superordinate actions and sounds. Various aspects of chunking and coarticulation are discussed in view of their role in the production and perception of music, and it is suggested that coarticulation is an integral element of music and should be more extensively explored in the future.
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Document Type: Research Article
Publication date: July 1, 2010
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- Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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