ÜOber den Schlagton der Glocken
Musicians consider the strike note of a bell a musical reality and mostly they disagree with the physicist's explanation, i. e. that it is purely a subjective sound perception. On the other hand scientific publications only mention the physically real partials whilst disregarding the strike note in the evaluation of the sound perception. By applying SCHOUTEN'S theory of the residue, the strike notes as perceived aurally by musicians can be calculated from the frequencies of the partials. Also, the short decay time as well as the great sound intensity of the strike note find their explanation.
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Document Type: Research Article
Publication date: January 1, 1962
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- Acta Acustica united with Acustica, published together with the European Acoustics Association (EAA), is an international, peer-reviewed journal on acoustics. It publishes original articles on all subjects in the field of acoustics, such as general linear acoustics, nonlinear acoustics, macrosonics, flow acoustics, atmospheric sound, underwater sound, ultrasonics, physical acoustics, structural acoustics, noise control, active control, environmental noise, building acoustics, room acoustics, acoustic materials, acoustic signal processing, computational and numerical acoustics, hearing, audiology and psychoacoustics, speech, musical acoustics, electroacoustics, auditory quality of systems. It reports on original scientific research in acoustics and on engineering applications. The journal considers scientific papers, technical and applied papers, book reviews, short communications, doctoral thesis abstracts, etc. In irregular intervals also special issues and review articles are published.
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