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Ralph Shapey's Apprenticeship with Stefan Wolpe

Author: Clarkson, Austin

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 389-405(17)

Publisher: Routledge, part of the Taylor & Francis Group

Shapey: In His Own Voice

Author: Baron, Carol

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 407-432(26)

Publisher: Routledge, part of the Taylor & Francis Group

Opposites Interact: Motivic Organization in Shapey's Clarinet Concerto

Author: Rogers, Lynne

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 433-449(17)

Publisher: Routledge, part of the Taylor & Francis Group

Ralph Shapey and the Search for a New Concept of Musical Continuity, 1954-1958

Author: Wiener, Barry

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 451-476(26)

Publisher: Routledge, part of the Taylor & Francis Group

Montage and Block Form in Ralph Shapey's Seven for Two Pianos

Author: Satyendra, Ramon

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 477-487(11)

Publisher: Routledge, part of the Taylor & Francis Group

How to Be; What to Do: Character and Action in Ralph Shapey's String Quartet No. 6

Author: Mead, Andrew

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 489-509(21)

Publisher: Routledge, part of the Taylor & Francis Group

The 'Mother Lode', the Gottlieb Duo, and Ralph Shapey's Compositional Strategy in the Early 1980s

Author: Kaplan, Amelia

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 511-529(19)

Publisher: Routledge, part of the Taylor & Francis Group

The Fragments of Redemption: Utopian Dimensions in the Music of Ralph Shapey

Author: Abbinanti, Frank

Source: Contemporary Music Review, Volume 27, Numbers 4-5, August 2008 , pp. 531-557(27)

Publisher: Routledge, part of the Taylor & Francis Group