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Home / Asian Cinema, Volume 7, Number 2

New Chinese Cinema Eds. Klaus Eder and Deac Rossell, National Film Theatre/British Film Institute, 1993. Paperback, 9.99.

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Author: Stringer, Julian

Source: Asian Cinema, Volume 7, Number 2, September 1995, pp. 142-144(3)

Publisher: Intellect

DOI: https://doi.org/10.1386/ac.7.2.142_5

Unless you are a close follower of British film culture or just happened to be in London during July or August 1993, chances are that you missed out on the publication of this dossier. Issued to accompany a 43-film retrospective at the British Film Institute's National Film Theater (which subsequently travelled to exhibition sites in Munich, Lausanne, Zurich, Sao Paolo, UCLA, Ontario and Chicago), the handsomely-produced New Chinese Cinema is a modest but still useful addition to the subject that can take its place on the shelf alongside Chris Berry's more substantial earlier collection, Perspectives On Chinese Cinema (BFI, 1991).

Keywords: British Film Institute Film Theatre; Deac Rossell; Klaus Eder; New Chinese Cinema; mainland Chinese cinema

Document Type: Research Article

Affiliations: Indiana University - Bloomington

Publication date: 01 September 1995

More about this publication?
  • Asian Cinema is a seminal journal, which has been published since 1995 by the Asian Cinema Studies Society under the stewardship of Professor John Lent. From 2012 Asian Cinema will be published by Intellect as part of our Film Studies journal portfolio. The journal currently publishes a variety of scholarly material - including research articles, interviews, book and film reviews and bibliographies - on all forms and aspects of Asian cinema. The journal's broad aim is to advance understanding and knowledge of the rich traditions of the various Asian cinemas, thereby making an invaluable contribution to the field of Film Studies in general.
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