Spatial Vision

Editorial note
pp. 1-1(1)

Piranesi and the infinite prisons
pp. 3-18(16)
Author: Roncato, Sergio

Gender's effect on the hemispheric laterality of Rembrandt's portraits
pp. 19-26(8)
Author: Schirillo, James A.

Artful visions
pp. 27-53(27)
Author: Wade, Nicholas J.

Visual interest in pictorial art during an aesthetic experience
pp. 55-77(23)
Authors: Locher, Paul; Krupinski, Elizabeth A.; Mello-Thoms, Claudia; Nodine, Calvin F.

Art pieces that 'move' in our minds — an explanation of illusory motion based on depth reversal
pp. 79-95(17)
Author: Papathomas, Thomas V.

A universal model of esthetic perception based on the sensory coding of natural stimuli
pp. 97-117(21)
Author: Redies, Christoph

Portraits and perception: configural information in creating and recognizing face images
pp. 119-135(17)
Authors: Balas, Benjamin J.; Sinha, Pawan

Fractal-like image statistics in visual art: similarity to natural scenes
pp. 137-148(12)
Authors: Redies, Christoph; Hasenstein, Jens; Denzler, Joachim

Statistical regularities of art images and natural scenes: Spectra, sparseness and nonlinearities
pp. 149-164(16)
Authors: Graham, Daniel J.; Field, David J.

Examining art: dissociating pattern and perceptual influences on oculomotor behaviour
pp. 165-184(20)
Authors: Tatler, Benjamin W.; Wade, Nicholas J.; Kaulard, Kathrin

The science and craft of autostereograms
pp. 185-200(16)
Author: Ninio, Jacques