ISSN 1468-2761 (Print); ISSN 2040-0616 (Online)
Publisher: Routledge, part of the Taylor & Francis Group
INTRODUCTION pp. 247-250(4) Authors: Goldingay, Sarah; Mangan, Mick
Identifying some platitudes with regard to the plethoric text pp. 251-253(3) Author: Barker, Howard
BLOK/EKO: Synopsis pp. 255-256(2) Author: Barker, Howard
The Brilliance of the Servant without qualities: Bare life and the horde offstage pp. 257-267(11) Author: Sack, Daniel
The art music of theatre: Howard Barker as sound designer pp. 269-284(16) Author: Curtin, Adrian
Chasing the ellipses: Staging Howard Barker’s The Forty (Few Words) pp. 285-304(20) Author: Rabey, David Ian
Crowd or chorus? Howard Barker’s mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century pp. 305-316(12) Author: Peters, Jens
Reading Barker with Lacan: Twenty asides on Woman, the One and the Real pp. 317-319(3) Author: Mangold, Alex
From plethora to bare sufficiency pp. 321-335(15) Author: Mangan, Mick
Poetry and intensification in Howard Barker’s theatre of plethora pp. 337-345(9) Author: Gritzner, Karoline
Contra mortem, petimus scientiam: Pain, tragedy, death and medicine in BLOK/EKO pp. 347-358(12) Author: Goldingay, Sarah
CHARLES V pp. 359-368(10) Author: Barker, Howard
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