@article {Chaplin:2006:1472-586X:42,
title = "The convention of captioning: W. G. Sebald and the release of the captive image",
journal = "Visual Studies",
parent_itemid = "infobike://routledg/rvst",
publishercode ="routledg",
year = "2006",
volume = "21",
number = "1",
publication date ="2006-04-01T00:00:00",
pages = "42-53",
itemtype = "ARTICLE",
issn = "1472-586X",
eissn = "1472-5878",
url = "https://www.ingentaconnect.com/content/routledg/rvst/2006/00000021/00000001/art00004",
doi = "doi:10.1080/14725860600613212",
author = "Chaplin, Elizabeth",
abstract = "Thesis 1: That the treatment of images in social science texts is stuck in a positivist/modernist time warp, and is out of sync with the present cultural climate. Thesis 2: That the work of W. G. Sebald indicates how images may be more appropriately used in relation to words in postpositivist and postmodernist texts.",
}