ISSN 1046-2937 (Print); ISSN 1479-5760 (Online)
Publisher: Routledge, part of the Taylor & Francis Group
Access and Accessibility: Performance Encounters pp. 91-94(4) Authors: PĂ©rez; Corey
“Who's the Crack Whore at the End?” Performance, Violence, and Sonic Borderlands in the Music of Yva las Vegass pp. 95-118(24) Author: Krell
Traumatic Utopias: Holding Hope in Bridgforth’s love conjure/blues pp. 119-141(23) Author: Reed, Alison
Gay Rapping and Possibilities: A Quare Reading of “Throw that Boy P***y” pp. 142-157(16) Authors: Eguchi; Roberts
Immaterial Discomforts: Antonieta Sosa, From the Body to the Void pp. 158-176(19) Author: Bouzaglo
Presenting Juche: Audiencing North Korea's 2012 Arirang Mass Games pp. 177-201(25) Authors: Terry; Wood
Paradiso Lost: Writing Memory and Nostalgia in the Post-Ethnographic Present pp. 202-220(19) Author: Prasad
Coming (Back) to Performance Studies Part II: Graduate School Flashback—A Slightly Fictionalized Ethnographic Narrative (in Three Parts) pp. 221-225(5) Author: Whitney
La MaMa's Squirts: Igniting Queer Intergenerational Dialogue through Performance pp. 226-233(8) Author: Morrison
Performing Landscapes of/and Loss pp. 234-254(21) Author: Santoro
Being At the Mercy of Ruin pp. 255-256(2) Author: Lockford
The Paradox of Patrick Santoro's At the Mercy of Ruin pp. 257-258(2) Author: Stucky
Performing Risk, Catharsis, and Subversion in At the Mercy of Ruin pp. 259-261(3) Author: Freitag