ISSN 0300-7766 (Print); ISSN 1740-1712 (Online)
Publisher: Routledge, part of the Taylor & Francis Group
The Dance Floor Experiment: Researching the Mediating Technologies and Embodied Experiences of Electronic Dance Music Events pp. 131-150(20) Author: Vitos, Botond
The Shrews are Drunk in Love pp. 151-163(13) Author: Hall, Z.
Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’s Partition pp. 164-180(17) Author: Hansen, Kai Arne
Naturalizing Male Authority and the Power of the Producer pp. 181-200(20) Author: Djupvik, Marita B.
Satirical Illustrations and Militant Improvisations: A Multimodal Social-Semiotic Analysis of Mazen Kerbaj’s Wartime Art pp. 201-221(21) Author: El Kadi, Rana
Selling Out: Musicians, Autonomy, and Compromise in the Digital Age pp. 222-238(17) Authors: Klein, Bethany; Meier, Leslie M.; Powers, Devon
Just around Midnight: Rock and Roll and the Racial Imagination pp. 239-240(2) Author: Cooper, B. Lee
Fela: Kalakuta Notes pp. 241-242(2) Author: Alake, Timilehin
The Production and Consumption of Music in the Digital Age pp. 242-244(3) Author: Bennett, Toby
Vinyl: The Analog Record in the Digital Age pp. 244-246(3) Author: Winters, Paul
Duets; It Takes Two: Dynamic Duos of the Rock & Roll Era; Lovin’ Time Blues: Great Jump and R&B Duets; Great R&B Duets; Soulful Love—Duets pp. 247-248(2) Author: Cooper, B. Lee
The Moment Bob Dylan Became Nobel-Laureate-Worthy, the Sixties Began pp. 249-253(5) Author: Miller, Stephen Paul
Call for Papers: Prince pp. 254-255(2) Authors: Danielsen, Anne; Hawkins, Stan
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