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author = "King, Stephen A.",
title = "Between Jennings and Jones: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy",
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@article {Tsitsos:2014:0300-7766:22,
author = "Tsitsos, William",
title = "Racial Transparency Theory Applied to Musicians who Claim to Be Aliens",
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@article {Hains:2014:0300-7766:33,
author = "Hains, Rebecca C.",
title = "The Significance of Chronology in Commodity Feminism: Audience Interpretations of Girl Power Music",
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@article {Spracklen:2014:0300-7766:48,
author = "Spracklen, Karl and Lucas, Caroline and Deeks, Mark",
title = "The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England",
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@article {Moorey:2014:0300-7766:65,
author = "Moorey, Gerard",
title = "Aging, Death, and Revival: Representations of the Music Industry in Two Contemporary Novels",
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@article {Putnam:2014:0300-7766:85,
author = "Putnam, Michael and Schicker, Juliane",
title = "Straight outta Marzahn: (Re)Constructing Communicative Memory in East Germany through Hip Hop",
journal = "Popular Music & Society",
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@article {Kitts:2014:0300-7766:101,
author = "Kitts, Thomas M.",
title = "Transatlantic Roots Music: Folk, Blues, and National Identities",
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@article {Ferrarese:2014:0300-7766:103,
author = "Ferrarese, Marco",
title = "Turkish Metal: Music, Meaning, and Morality in a Muslim Society",
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@article {Marino:2014:0300-7766:106,
author = "Marino, Michael P.",
title = "Metal Rules the Globe: Heavy Metal Music around the World",
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@article {Crundwell:2014:0300-7766:109,
author = "Crundwell, Joseph",
title = "Push and Shove (Deluxe Edition)",
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@article {Cooper:2014:0300-7766:110,
author = "Cooper, B. Lee",
title = "Be My Baby: The Girls of the Sixties; Be My Baby 2: More Music from the Fabulous Girls of the Sixties",
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