Publisher: Routledge, part of the Taylor & Francis Group
“Between Jennings and Jones”: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy
King, Stephen A.
Racial Transparency Theory Applied to Musicians who Claim to Be Aliens
The Significance of Chronology in Commodity Feminism: Audience Interpretations of Girl Power Music
Hains, Rebecca C.
The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England
Spracklen, Karl; Lucas, Caroline; Deeks, Mark
Aging, Death, and Revival: Representations of the Music Industry in Two Contemporary Novels
Straight outta Marzahn: (Re)Constructing Communicative Memory in East Germany through Hip Hop
Putnam, Michael; Schicker, Juliane
Transatlantic Roots Music: Folk, Blues, and National Identities
Kitts, Thomas M.
Turkish Metal: Music, Meaning, and Morality in a Muslim Society
Metal Rules the Globe: Heavy Metal Music around the World
Marino, Michael P.
Push and Shove (Deluxe Edition)
Be My Baby: The Girls of the Sixties; Be My Baby 2: More Music from the Fabulous Girls of the Sixties
Cooper, B. Lee