ISSN 0300-7766 (Print); ISSN 1740-1712 (Online)
Publisher: Routledge, part of the Taylor & Francis Group
Black Female Identity and Challenges to Masculine Discourse in Rah Digga's Dirty Harriet pp. 425-443(19) Author: Mullins, Katie L.
Welcome to Whose Nightmare? The Alice Cooper Personae and the Presentation of Self pp. 444-459(16) Author: Chambers, Lee
From “Badman” to “Gangsta”: Double Consciousness and Authenticity, from African-American Folklore to Hip Hop pp. 460-475(16) Author: Nyawalo, Mich
Black Musics, Technology, and Modernity: Exhibit A, the Drum Kit pp. 476-504(29) Author: Avanti, Peter
The Musical Routes of the Spanish Black Atlantic: The Performance of Identities in the Rap of Frank T and El Chojín pp. 505-522(18) Author: Green, Stuart
Revealing What We Can Never Know: The Problem of Real Life in Gus Van Sant's Last Days pp. 523-539(17) Author: Fairchild, Charles
Popular Music and the Myths of Madness pp. 540-541(2) Author: Vayo, Lloyd Isaac
Bruce Springsteen, Cultural Studies, and the Runaway American Dream pp. 542-544(3) Author: McParland, Robert
Roots Music pp. 544-547(4) Author: van Elteren, Mel
Music in Television: Channels of Listening pp. 547-549(3) Author: Edgar, Amanda Nell
Love Me Do: 50 Songs that Shaped the Beatles/Beatles Beginnings, Vol. 3: Silver Beatles/The Hamburg List: Original Versions of the Beatles' Star Club Set/Beatles Beginnings, Vol. 2: Quarrymen Two: Rock ‘N’ Roll/Beatles Beginnings, Vol. 1: Quarrymen One: Skiffle-Country-Western pp. 550-554(5) Author: Cooper, B. Lee
Classic Harmonica Blues pp. 554-557(4) Author: Kitts, Thomas M.
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