Inter-Asia Cultural Studies

Editorial introduction
pp. 169-172(4)
Authors: Kuan-Hsing, Chen; Willemen, Paul; Wei, Ti

Cinema and history: critical reflections
pp. 173-183(11)
Authors: Hsiao-Hsien, Hou; Liu, Petrus

The eloquence of the taciturn: an essay on Hou Hsiao-Hsien
pp. 184-194(11)
Author: Hasumi, Shigehiko

Postcolonial film historiography in Taiwan and South Korea: The Puppetmaster and Chihwaseon
pp. 195-210(16)
Author: Soyoung, Kim

Hou Hsiao-Hsien: a standard for evaluating Taiwan's cinema
pp. 211-238(28)
Authors: Tien-Hsiang, Wen; Hui, Gan Sheuo

Hou Hsiao-Hsien's films: pursuing and escaping history
pp. 239-250(12)
Authors: Jinhua, Dai; Jingyuan, Zhang

Hou Hsiao-Hsien's two dreams of light and shadows
pp. 251-257(7)
Authors: Ain-ling, Wong; Wong, Jacob

What's happening? Story, scene and sound in Hou Hsiao-Hsien
pp. 258-270(13)
Author: MARTIN, Adrian

How did Hou Hsiao-Hsien change Taiwan cinema? A critical reassessment
pp. 271-279(9)
Author: Wei, Ti

Hou Hsiao-Hsien reviewed
pp. 280-289(10)
Author: Vitali, Valentina

The times of subjectivity and social reproduction
pp. 290-296(7)
Author: Willemen, Paul

Thinking about Hou's films
pp. 297-299(3)
Author: Shahani, Kumar

The qipao, the Western dress and the Taiwanese shan: images from 100 years of Taiwanese clothing
pp. 300-323(24)
Authors: Hong-sheng, Cheng; Yajoo, Jiang

Political participation in 2004: an interview with Hou Hsiao-Hsien
pp. 324-335(12)
Authors: Kuan-Hsing, Chen; Wei, Ti; Lee, Ken-fang

Hou Hsiao-Hsien's filmography
pp. 336-338(3)