Inter-Asia Cultural Studies

Editorial statement
pp. 5-6(2)

Introduction: imagining the cinema anew
pp. 7-9(3)
Authors: RAJADHYAKSHA A.; Soyoung K.

The birth of the local feminist sphere in the global era: 'trans-cinema' and Yosongjang
pp. 10-24(15)
Author: Soyoung K.

The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena
pp. 25-39(15)
Author: RAJADHYAKSHA A.

Hong Kong action film in the Indian B circuit
pp. 40-62(23)
Author: SRINIVAS S.V.

The Opium War and the cinema wars: a Hollywood in the greater East Asian co-prosperity sphere
pp. 63-76(14)
Author: WASHITANI H.

Postnational family/postfamilial nation: family, small town and nation talk in Marcos and Brocka
pp. 77-92(16)
Author: TOLENTINO R.B.

Casting ethnicity: representation of ethnic identities in contemporary Sri Lankan teledrama
pp. 93-107(15)
Author: SILVA N.

What is the worth of a movie ticket?
pp. 109-116(8)

Singapore cinema: Eric Khoo and Jack Neo -- critique from the margins and the mainstream
pp. 117-125(9)
Authors: CHUA B.H.; YEO W-W.

Khmer memories or filming with Cambodia
pp. 126-138(13)
Author: BLUM-REID S.E.

The documentary production process as a counter-public: notes on an inter-Asian mode and the example of Kim Dong-Won
pp. 139-144(6)
Author: BERRY C.

The search for a 'new cinema' in post-colonial Malaysia: the films of U-Wei bin HajiSaari as counter-narrations of national identity
pp. 145-154(10)
Author: ZAWAWI I.

Censor Board's war on War and Peace
pp. 155-156(2)
Author: PATWARDHAN A.

'Creating and distributing films openly': on the relationship between women's film festivals and the women's rights movement in Taiwan
pp. 157-158(2)
Author: HUANG Y.S.

Forms of resistance of the Green Team
pp. 159-163(5)
Author: HO C-T.

What the World Cup has left us
pp. 164-178(15)
Authors: CHOI W-s.; KIM H-j.; KIM J-y.