Reviews
Genre and Hollywood by Steve Neale. London and New York: Routledge, 2000. Reviewed by Frank P. Tomasulo.
Struggles for Representation: African American Documentary Film and Video by Phyllis R. Klotman and Janet K. Cutler. Indiana University Press, 1999. Reviewed by Jacqueline Bobo.
Working Like a Homosexual: Camp, Capital, Cinema by Matthew Tinkcom. Duke UP, 2002. Reviewed by Michael R. Schiavi.
Bertrand Blier by Sue Harris. New York: Manchester University Press, 2001. Reviewed by Brigitte E. Humbert.
Action TV: Tough Guys, Smooth Operators, and Foxy Chicks by Bill Osgerby and Anna Gough-Yates, eds. Routledge, 2001. Reviewed by Mary C. Beltran.
France on Film: Reflections on Popular French Cinema, edited by Lucy Mazdon. London: Wallflower Press, 2001. Reviewed by Valerie Orlando.
A Not So Foreign Affair: Fascism, Sexuality, and the Cultural Rhetoric of American Democracy by Andrea Slane. Durham, N.C.: Duke UP, 2001. Reviewed by Megan Williams.
Cassavetes on Cassavetes, edited by Ray Carney. London: Faber and Faber. Reviewed by Todd Berliner.
Women of Vision: Histories in Feminist Film and Video, edited by Alexandra Juhasz. Minneapolis: University of Minnesota Press, 2001. Reviewed by Gwendolyn Audrey Foster.
Science Fiction/Horror: A Sight and Sound Reader, edited by Kim Newman. British Film Institute, 2002. Reviewed by Anne Morey.
Cinema of Flames: Balkan Film, Culture and the Media by Dina Iordanova. London: British Film Institute, 2001. Reviewed by Jerry White.
Spectacular Narratives: Hollywood in the Age of the Blockbuster by Geoff King. I. B. Tauris Publishers, 2000. Reviewed by Murray Pomerance.
Cutting-Edge: Art-Horror and the Horrific Avant-Garde by Joan Hawkins. University of Minnesota Press, 2001. Reviewed by Kevin A. Morrison.
Peripheral Visions: The Hidden Stages of Weimar Cinema, edited by Kenneth S. Calhoon. Wayne State University Press, 2001. Reviewed by Tony Williams.
The Ancient World in the Cinema by Jon Solomon. Yale University Press, 2000. Reviewed by Bernie Cook.
Bollywood Cinema: Temples of Desire by Vijay Mishra. Routledge, 2002. Reviewed by Geetha Ramanathan.
British Film Institute Film Classics, Volumes I and II. Edward Buscombe and Rob White, Eds., London: BFI, 2003. Reviewed by Wheeler Winston Dixon.
Masculinity: Bodies, Movies, Culture, edited by Peter Lehman. Routledge: New York, 2001. Reviewed by Jonathan Markovitz.
Struggles for Representation: African American Documentary Film and Video by Phyllis R. Klotman and Janet K. Cutler. Indiana University Press, 1999. Reviewed by Jacqueline Bobo.
Working Like a Homosexual: Camp, Capital, Cinema by Matthew Tinkcom. Duke UP, 2002. Reviewed by Michael R. Schiavi.
Bertrand Blier by Sue Harris. New York: Manchester University Press, 2001. Reviewed by Brigitte E. Humbert.
Action TV: Tough Guys, Smooth Operators, and Foxy Chicks by Bill Osgerby and Anna Gough-Yates, eds. Routledge, 2001. Reviewed by Mary C. Beltran.
France on Film: Reflections on Popular French Cinema, edited by Lucy Mazdon. London: Wallflower Press, 2001. Reviewed by Valerie Orlando.
A Not So Foreign Affair: Fascism, Sexuality, and the Cultural Rhetoric of American Democracy by Andrea Slane. Durham, N.C.: Duke UP, 2001. Reviewed by Megan Williams.
Cassavetes on Cassavetes, edited by Ray Carney. London: Faber and Faber. Reviewed by Todd Berliner.
Women of Vision: Histories in Feminist Film and Video, edited by Alexandra Juhasz. Minneapolis: University of Minnesota Press, 2001. Reviewed by Gwendolyn Audrey Foster.
Science Fiction/Horror: A Sight and Sound Reader, edited by Kim Newman. British Film Institute, 2002. Reviewed by Anne Morey.
Cinema of Flames: Balkan Film, Culture and the Media by Dina Iordanova. London: British Film Institute, 2001. Reviewed by Jerry White.
Spectacular Narratives: Hollywood in the Age of the Blockbuster by Geoff King. I. B. Tauris Publishers, 2000. Reviewed by Murray Pomerance.
Cutting-Edge: Art-Horror and the Horrific Avant-Garde by Joan Hawkins. University of Minnesota Press, 2001. Reviewed by Kevin A. Morrison.
Peripheral Visions: The Hidden Stages of Weimar Cinema, edited by Kenneth S. Calhoon. Wayne State University Press, 2001. Reviewed by Tony Williams.
The Ancient World in the Cinema by Jon Solomon. Yale University Press, 2000. Reviewed by Bernie Cook.
Bollywood Cinema: Temples of Desire by Vijay Mishra. Routledge, 2002. Reviewed by Geetha Ramanathan.
British Film Institute Film Classics, Volumes I and II. Edward Buscombe and Rob White, Eds., London: BFI, 2003. Reviewed by Wheeler Winston Dixon.
Masculinity: Bodies, Movies, Culture, edited by Peter Lehman. Routledge: New York, 2001. Reviewed by Jonathan Markovitz.
Document Type: Research Article
Publication date: 01 October 2003
Receive new issue alert- Access Key
- Free content
- Partial Free content
- New content
- Open access content
- Partial Open access content
- Subscribed content
- Partial Subscribed content
- Free trial content