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Home / Contemporary Music Review, Volume 25, Numbers 1-2

Publisher: Routledge, part of the Taylor & Francis Group

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Volume 25, Numbers 1-2, -2/February–April 2006

Bodily instruments and instrumental bodies: Critical views on the relation of body and instrument in technologically informed performance environments
pp. 1-5(5)
Author: Schroeder, Franziska

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Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music
pp. 7-16(10)
Author: Echard, William

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Echo's body: Play and representation in interactive music software
pp. 17-25(9)
Author: Dixon, Martin

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Haptic sensation and instrumental transgression
pp. 27-35(9)
Author: Rebelo, Pedro

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The flux between sounding and sound: Towards a relational understanding of music as embodied action
pp. 37-46(10)
Author: Brown, Nicholas

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Kinaesonics: The intertwining relationship of body and sound
pp. 47-57(11)
Authors: Wilson-Bokowiec, Julie; Bokowiec, Mark Alexander

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Music cognition and the bodily approach: Musical instruments as tools for musical semantics
pp. 59-68(10)
Author: Reybrouck, Mark

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Embodied sound: Aural architectures and the body
pp. 69-79(11)
Author: Ouzounian, Gascia

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Latent body—plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology
pp. 81-92(12)
Author: Young, Miriama

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On the entropy circuit: Brian Ferneyhough's Time and Motion Study II
pp. 93-105(13)
Author: Iddon, Martin

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Fetish: Bent Leather's palpable, visceral instruments and Grainger
pp. 107-117(11)
Authors: Favilla, Stuart; Cannon, Joanne

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The blindness paradigm: The visibility and invisibility of the body
pp. 119-130(12)
Author: Chagas, Paulo

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The voice as transcursive inscriber: The relation of body and instrument understood through the workings of a machine
pp. 131-138(8)
Author: Schroeder, Franziska

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Embodiment: The body in algorithmic sound generation
pp. 139-149(11)
Authors: Kim, Jin Hyun; Seifert, Uwe

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Inside-out instrument
pp. 151-162(12)
Author: Harris, Yolande

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A conceptual tool for improvisation
pp. 163-172(10)
Author: Sayer, Tim

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Invisible performance and the virtuosic body
pp. 173-182(10)
Author: Overton, Adam

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To sing the body electric: Instruments and effort in the performance of electronic music
pp. 183-191(9)
Author: d'Escriván, Julio

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The networked_performance blog
pp. 193-197(5)
Author: Thorington, Helen

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About the Contributors
pp. 199-203(5)

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