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Mahler contra Lachenmann

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This article is an exploration of the similarities between the music of Gustav Mahler and Helmut Lachenmann, with an emphasis on the latter's theatre piece Das Mädchen mit den Schwefelhölzern, despite the vast sonic differences between the two. Also often mentioned is Lachenmann's most important teacher, Luigi Nono, and comparisons are made between the works of all three composers.

Keywords: Listening; Mahler; Music Theatre; Nono; Opera

Document Type: Research Article

DOI: http://dx.doi.org/10.1080/0749445042000285735

Publication date: September 1, 2004

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