The Theory of Perception in the Aesthetic Conception of Helmut Lachenmann: A 'Redefinition' Trial of the 'Functional' Aspect of Music
In this article, I discuss my opinions of Helmut Lachenmann's own theories on perception and the functionality of music. I also allude to the numerous ways in which his music could be approached by new or experienced listeners and how Helmut's musical thought has evolved during the past few decades.
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