Contemporary Music Review

New instruments for the performance of electronic music — Introduction
pp. 1-2(2)
Author: Nelson, Peter

Some remarks on musical instrument design at STEIM†
pp. 3-17(15)
Author: Ryan, Joel

The audio interface
pp. 19-29(11)
Author: Bristow, David

The videoharp: an optical scanning MIDI controller†
pp. 31-46(16)
Authors: Rubine, Dean; McAvinney, Paul

The UPIC as a performance instrument
pp. 47-57(11)
Author: Bernard, Pierre

SOUND = SPACE: an interactive musical environment
pp. 59-72(14)
Author: Gehlhaar, Rolf

Cargo cult instruments
pp. 73-84(12)
Author: Collins, Nicolas

Live electronics — Introduction
pp. 85-88(4)
Author: Montague, Stephen

Barry Anderson†
pp. 89-90(2)
Author: Montague, Stephen

Live/electro-acoustic music — a perspective from history and California
pp. 91-106(16)
Author: Schrader, Barry

Live-electronic music on the third coast
pp. 107-129(23)
Author: Austin, Larry

Interactive performance systems
pp. 131-138(8)
Author: Hunt, Jerry

Designing interactive computer-based music installations
pp. 139-142(4)
Author: Behrman, David

About M
pp. 143-146(4)
Author: Chadabe, Joel

Annea Lockwood
pp. 147-150(4)

Observations on live electronics
pp. 151-157(7)
Author: Bevelander, Brian

Experimental music in Australia using live electronics
pp. 159-172(14)
Author: Burt, Warren

John Rimmer and Free Radicals: live electronic music in New Zealand
pp. 173-177(5)
Author: Kerr, Elizabeth

Live electronic music in Britain: three case studies
pp. 179-195(17)
Author: Emmerson, Simon

Mesias maiguashca
pp. 197-203(7)

Live electronics in denmark
pp. 205-217(13)
Author: Siegel, Wayne

Real-time computer music at IRCAM
pp. 219-224(6)
Author: Lippe, Cort

Programme notes for accompanying 90 minute audio cassette (excerpts are identified by a spoken announcement)
pp. 225-233(9)
Author: Montague, Stephen