Contemporary Music Review

Preface
pp. iii-v(3)
Author: Driver, Paul

Eco in ascolto
pp. 1-8(8)
Author: Berio, Luciano

Towards the analysis of the relationship of music and text in contemporary composition
pp. 9-27(19)
Author: Stacey, Peter

Thoughts on word-setting
pp. 29-32(4)
Author: Tippett, Michael

Setting Geoffrey Hill to music
pp. 33-35(3)
Author: Holloway, Robin

Syllogism and symbol: Britten, Tippett and English Text
pp. 37-63(27)
Author: Docherty, Barbara

Music and literary form
pp. 65-75(11)
Author: Josipovici, Gabriel

Why do songs have words?
pp. 77-96(20)
Author: Frith, Simon

Texts
pp. 97-100(4)
Authors: Birtwistle, Harrison; Logue, Christopher

Music: context, text, counter-text
pp. 101-135(35)
Author: Anhalt, Istvan

Synopsis of the opera ‘L'ispirazione' by Sylvano Bussotti
pp. 137-138(2)

Music and poetry
pp. 139-141(3)
Author: Bachmann, Ingeborg

Text and music: some new directions
pp. 143-153(11)
Author: Kramer, Lawrence

Speaking with tongues
pp. 155-183(29)
Author: Ferneyhough, Brian

Notes on setting a poem of Marvell
pp. 185-188(4)
Author: Holloway, Robin

The function of text in the VOX Cycle
pp. 189-197(9)
Author: Wishart, Trevor

Sondheim's technique
pp. 199-214(16)
Authors: Sondheim, Stephen; Herbert, Trevor

På Svenska, eller vad som helst: the opera composer today. (In Swedish, or whatever…)
pp. 215-224(10)
Author: McQueen, Ian

Words and music
pp. 225-228(4)
Author: Elias, Brian

The Intelligence Park
pp. 229-237(9)
Author: Barry, Gerald

A conversation
pp. 239-256(18)
Authors: Del Tredici, David; Conarroe, Joel

Word — image — concept — sound
pp. 257-265(9)
Author: Holloway, Robin

Before and after Samstag aus Licht
pp. 267-297(31)
Authors: Stockhausen, Karlheinz; Conen, Hermann; Hennlich, Jochen