Skip to main content

The Non-Places of Migrant Cinema in Europe

Buy Article:

$47.50 plus tax (Refund Policy)

This article focuses on the representation of ‘non-places’ in European migrant cinema. Postcolonial subjects, migrants, refugees and asylum seekers are often depicted in non-places such as city outskirts, hotels, detention centres, on the open sea or in airports. Through the analysis of Pawel Pawlikowski's Last Resort (UK, 2000), Stephen Frears's Dirty Pretty Things (UK, 2002), and Mohsen Melliti's Io, l'altro (I, the Other, Italy, 2007), migrants are seen in non-locations, characterised by their disposable bodies and are portrayed against a background of hostile media representations. The article argues that non-places allude to the visual and ideological instability of the notion of Europe, and also to the creation of an alternative space, a possible Third Space, a location of transformation and belonging to an alternative organic society, where new notions of hospitality and tolerance are conveyed.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
No Article Media
No Metrics

Keywords: Europe; Marc Augé; Mohsen Melliti; Pawel Pawlikowski; Sandra Ponzanesi; Stephen Frears; cinema; hospitality; migration; non-places; postcolonialism; refugee

Document Type: Research Article

Publication date: 2012-11-01

More about this publication?
  • Access Key
  • Free content
  • Partial Free content
  • New content
  • Open access content
  • Partial Open access content
  • Subscribed content
  • Partial Subscribed content
  • Free trial content
Cookie Policy
Cookie Policy
Ingenta Connect website makes use of cookies so as to keep track of data that you have filled in. I am Happy with this Find out more