Breathing Contemporary Art
This article discusses the process by which contemporary fine art sculpture and installation is fabricated on behalf of a number of internationally renowned artists, as seen from the floor of a New York studio. It is an insider account, which not only outlines the sculpture-making process but also offers a thorough examination of the day-to-day conditions in which art-workers undertake their specialised labour. Various occupational and material hazards are discussed, as well as how the latter affects areas beyond the studio walls. In an absence of critical debate pertaining to the artworlds' polluting practices, a critique is formed which queries the sustainability of large art works that seldom disclose anything as to the nature of their production.
No Reference information available - sign in for access.
No Citation information available - sign in for access.
No Supplementary Data.
Document Type: Research Article
Publication date: 2011-09-01