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The Search for the National in Canadian Multilateral Cinematographic Co-productions

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According to opinions expressed in the trade literature, international co-productions-made to appeal to a wide audience - are less likely to be identified as 'national productions' than domestic films. Yet in the past, co-productions not only helped the emergence and guaranteed the very existence of national film industries but, in some countries, they have also been seen as 'a mechanism for nation building'. The concepts of 'nation' and 'identity' have become increasingly problematic but, as a close examination of the reception of Canadian films made under the co-production agreements with France and the UK in the last decade shows, in the age of commercial mediation, even internationally-made cultural products can be turned into symbolic bearers of national identity.

Document Type: Research Article

DOI: http://dx.doi.org/10.1080/14608940120059452

Publication date: July 1, 2001

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