Word and Music Studies

Introduction
pp. vii-xii(6)
Author: Suzanne M. Lodato

Masterminding Word and Music Studies: A Tribute to Steven Paul Scher
pp. 3-11(9)
Author: Walter Bernhart

Intermediality Revisited: Reflections on Word and Music Relations in the Context of a General Typology of Intermediality
pp. 13-34(22)
Author: Werner Wolf

Signs Taken for Wonders: Words, Music, and Performativity
pp. 35-47(13)
Author: Lawrence Kramer

Metaphor and Methodology in Word and Music Studies
pp. 49-67(19)
Author: Eric Prieto

Baudelaire, Wagner, Mallarmé: Romantic Aesthetics and the Word-Tone Dichotomy
pp. 69-83(15)
Author: Mary Breatnach

Modernism, Melocentrism and Literary History The Case of The Waste Land
pp. 85-100(16)
Author: Stephen Benson

"Wozu [Lieder] in dürftiger Zeit" [1958]?: Britten's Sechs Hölderlin-Fragmente as a "Literary Song Cycle"
pp. 101-122(22)
Author: Harry E. Seelig

Mignon in Nineteenth-Century Song: Text, Context, and Intertext
pp. 123-141(19)
Author: William P. Dougherty

On the Meaning of 'Musical' in Proust
pp. 143-158(16)
Author: Peter Dayan

Thomas Mann at the Opera
pp. 159-178(20)
Author: Hans Rudolf Vaget

1933 and the Fiasco of Cultural Identities in Music
pp. 181-193(13)
Authors: Albrecht Riethmüller

Arne's Paradox: National Opera in Eighteenth-Century Britain
pp. 195-215(21)
Author: Suzanne Aspden

Opera and the Imagined Nation: Weber's Der Freischütz, Schinkel's Neues Schauspielhaus and the Politics of German National Identity
pp. 217-228(12)
Author: Margaret King

Guillaume Tell in French Opera: from Grétry to Rossini
pp. 229-244(16)
Author: Albert Gier

National Opera Bearing Evidence of Swedish National and Nordic Cultural Identity: The Case of Wilhelm Peterson-Berger's Viking Opera Arnljot
pp. 245-261(17)
Author: Ulla-Britta Lagerroth

Der Rosenkavalier and the Idea of Habsburg Austria
pp. 263-275(13)
Author: Simon Williams

'A Comfortable Society': The 1950s and Opera in Australia
pp. 277-297(21)
Author: Michael Halliwell

Rock Opera – Opera on the Rocks?
pp. 299-314(16)
Author: Martina Elicker

Notes on the Contributors
pp. 317-324(8)