Samuel Beckett Today/Aujourd'hui

INTRODUCTION
pp. 13-15(3)

AVANT-PROPOS
pp. 16-19(4)

INTRODUCTION TO ROUNDTABLE: Beckett and the Twentieth Century
pp. 23-26(4)
Author: Lois Oppenheim

BECKETT AND THE QUEST FOR MEANING
pp. 27-30(4)
Author: Martin Esslin

LOOKING BACK – BUT LEAPING FORWARD
pp. 31-37(7)
Author: James Knowlson

ON "MINDLESSNESS": Beckett, Japan, and the Twentieth Century
pp. 38-41(4)
Author: Yasunari Takahashi

STAGING BECKETT IN FRANCE AT THE END OF THE TWENTIETH CENTURY
pp. 42-47(6)
Author: Tom Bishop

BECKETT'S TONIC LAUGHTER
pp. 48-53(6)
Author: Manfred Pfister

THE FIRST BERLIN GODOT: Beckett's Debut on the German Stage
pp. 57-63(7)
Authors: Wilhelm Füger

BECKETT'S GODOT IN BERLIN: New Coordinates of the Void
pp. 64-73(10)
Author: Ciaran Ross

SAMUEL BECKETT, HEINER MÜLLER AND POSTDRAMATIC THEATER
pp. 74-83(10)
Author: Jonathan Kalb

"DER BAU" DE FRANZ KAFKA ET L'INNOMMABLE DE SAMUEL BECKETT: Êtres en mal d'aîtres
pp. 84-91(8)
Author: Florence Godeau

THE MAGIC TRIANGLE: James Joyce, Samuel Beckett, Arno Schmidt
pp. 92-102(11)
Author: Friedhelm Rathjen

MELENCOLIAS AND SCIENTIFIC IRONIES IN ENDGAME: Beckett, Walther, Dürer, Musil
pp. 103-113(11)
Author: Giuseppina Restivo

SCHOPENHAUER'S RECOMMENDATIONS TO BECKETT
pp. 114-122(9)
Authors: Gottfried Büttner

SCHOLARS/ARTISTS/BECKETT
pp. 125-131(7)
Author: Xerxes Mehta

FAST-FORWARD: Lucky's Pnigos
pp. 132-139(8)
Author: Rosette C. Lamont

SIX SHE'S, ONE NOT I: Proxies of Beckettian Selves
pp. 140-150(11)
Author: Shimon Levy

BECKETT PERFORMED IN ITALY
pp. 151-158(8)
Author: Annamaria Cascetta

GHOST DUET, OR KRAPP'S FIRST VIDEOTAPE
pp. 159-166(8)
Author: Graley Herren

THE BODY IN THE BODY OF BECKETT'S THEATER
pp. 169-177(9)
Author: S.E. Gontarski

BECKETT AND SYNAESTHESIA
pp. 178-185(8)
Author: Yoshiki Tajiri

PERCEIVING BODIES IN BECKETT'S PLAY
pp. 186-193(8)
Author: Katherine Weiss

PLAYERS, PLAYTHINGS AND PATTERNS: Three Stages of Heteronomy in Beckett's Mature Drama
pp. 194-201(8)
Authors: Merle Tönnies

"DREAMING OF [...] LOVE": Beckett's Theatre and the Making of the (Post)Modern Subject
pp. 202-209(8)
Author: Karen L. Laughlin

QUAD I AND TELETUBBIES or: 'Aisthetic' Panopticism versus Reading Beckett
pp. 210-218(9)
Author: Eckart Voigts-Virchow

OH LES BEAUX TITRES
pp. 221-227(7)
Authors: Michèle Touret

BECKETT VERSUS THE READER
pp. 228-236(9)
Author: Michael Guest

PLAYING WITH PAINT OR PAINTING WITH PLAY: Positioning Beckett's Play within Marin's Theory of Reading Painting
pp. 237-244(8)
Author: Dario P. Del Degan

BECKETT'S DIALOGIC 'DE-SIGN' AND RHETORIC OF IMPOTENCE
pp. 245-252(8)
Author: John Thobo-Carlsen

"THE GRIM JOURNEY": Beckett Listens to Schubert
pp. 255-266(12)
Author: Paul Lawley

GEISTERTRIO: Beethoven's Music in Samuel Beckett's Ghost Trio
pp. 267-278(12)
Author: Michael Maier

MUSIC IN WORDS AND MUSIC: Feldman's Response to Beckett's Play
pp. 279-290(12)
Author: Catherine Laws

HEAD TO FOOTSTEPS: "Fundamental sounds" in "dread nay" and "Roundelay"
pp. 291-299(9)
Author: Elizabeth Drew

BECKETT & OTHERS & ART: A System
pp. 303-314(12)
Author: Peter Gidal

BECKETT AND EISENSTEIN ON LIGHT AND CONTRAPUNTAL MONTAGE
pp. 315-323(9)
Author: J.M.B. Antoine-Dunne

ELEMENTS OFHAIKU IN BECKETT: The Influence of Eisenstein and Arnheim's Film Theories
pp. 324-330(7)
Author: Marikohori Tanaka

IMAGES BECKETTIENNES: De la mise en scène du corps à l'effacement du sujet dans Trio du Fantôme
pp. 331-338(8)
Authors: Véronique Védrenne

THEO-LESS-OLOGY: God Talk and God Unwording in Beckett
pp. 341-350(10)
Author: Carla Locatelli

THE ANCIENT STOICS, ÉMILE BRÉHIER, AND BECKETT'S BEINGS OF VIOLENCE
pp. 351-360(10)
Author: Anthony Uhlmann

TRAVAIL DE DEUIL, TRAVAIL D'ŒIL DANS MAL VU MAL DIT
pp. 361-371(11)
Author: Sjef Houppermans

"SO THE UNREASONING GOES": The Comic Timing of Trembling in Ill Seen Ill Said
pp. 372-381(10)
Author: Laura Salisbury

"THE SOCIETY OF MY LIKES": Beckett's Political Imaginary
pp. 382-388(7)
Author: Elin Diamond

NUMERICAL REFERENCES IN KRAPP'S LAST TAPE
pp. 391-398(8)
Author: Antonio Borriello

ON BECKETT'S METAPHYSICS OF NON-LOCATION: Vagrancy, Void, and Formless Fire
pp. 399-407(9)
Author: Paul Davies

LIGHT STILL: The Dynamics of "the words that remain"
pp. 408-415(8)
Author: Andrew Kennedy

LA POÉSIE EST-ELLE VERTICALE? Remarques à propos d'une signature
pp. 416-424(9)
Author: Thomas Hunkeler

THE GNOSTIC GOSPEL OF SAM: Watt as Modernist Apocryphon
pp. 425-433(9)
Author: Jeremy Parrott

TRANSLATING AND ADAPTING COMPANY FOR THE SCREEN
pp. 437-445(9)
Authors: Antonia Rodríguez-Gago

HOW TO DO THINGS WITH SYNTAX: Beckett's Binary-Turned Sentences in French and Their Translation into English
pp. 446-453(8)
Author: Helen Astbury

"ECHO'S BONES" AND BECKETT'S DISEMBODIED VOICES
pp. 454-460(7)
Author: Julie Campbell

BELACQUA'S SHADOWS IN DREAM OF FAIR TO MIDDLING WOMEN AND HOW IT IS
pp. 461-468(8)
Author: Daniela Caselli

BECKETT ET LE TERRAIN VAGUE DE LA MÉLANCOLIE
pp. 469-477(9)
Authors: Yann Mével

BECKETT'S LABOUR LOST: Company and the Paradox of Creation
pp. 478-485(8)
Author: Paul Shields

Contributors
pp. 486-493(8)