Critical Studies

Introduction
pp. 1-7(7)
Author: Richard Young

From cantautori to posse: Sociopolitical Discourse, Engagement and Antagonism in the Italian Music Scene from the 60s to the 90s
pp. 9-36(28)
Author: William Anselmi

El corrido: Identity, Narrative, and Central Frontiers
pp. 37-53(17)
Author: Daniel F. Chamberlain

A National Rhythm: Social Dance and Elite Identity in Nineteenth-Century Havana
pp. 55-73(19)
Author: John Charles Chasteen

Globalization and Identity: The Discourse of Popular Music in the Caribbean
pp. 75-88(14)
Author: Catherine Den Tandt

"Keeping it real"?: African Youth Identities and Hip Hop
pp. 89-118(30)
Author: Murray Forman

"I hate this fucking country": Dealing with the Global and the Local in the Israeli Extreme Metal Scene
pp. 119-136(18)
Author: Keith Kahn-Harris

The Idiocy of Rural Life: Boerenrock, the Rural Debate and the Uses of Identity
pp. 137-163(27)
Author: Henry Klumpenhouwer

Rap, Race, the "Local," and Urban Geography in Amsterdam
pp. 165-179(15)
Author: Adam Krims

Cannibalizing Bossa Nova
pp. 181-197(17)
Author: George Lang

Who is the "Other" in the Balkans? Local Ethnic Music as a Different Source of Identities in Bulgaria
pp. 199-212(14)
Author: Claire Levy

Back From Babylon: Popular Musical Cultures of the Diaspora, Youth Culture and Identity in Francophone West Africa
pp. 213-228(16)
Author: Lisa McNee

Identity Politics and Iranian Exile Music Videos
pp. 229-247(19)
Author: Hamid Naficy

Vocal In-roads: Flamenco, Orality and Postmodernity in Las 3000 Viviendas: Viejo Patio (Dulcimer and EMI, 1999)
pp. 249-264(16)
Author: Parvati Nair

Selena: Two Complementary Cinematographic Interpretations
pp. 265-278(14)
Author: Viviana Rangil

"The artist gathers the bones": The Shamanic Poetics of Jazz Discourse
pp. 279-294(16)
Author: Michael Frank Titlestad

En Route to the Rainbow Nation: South African Voices of Resistance
pp. 295-313(19)
Author: Stella Viljoen

Contributors
pp. 315-318(4)