Church and Theology in Context

Acknowledgements
pp. vii-viii(2)

Note on Language—KiSwahili Orthography
pp. ix-x(2)

Photographs and Figures
pp. xi-xii(2)

Recorded Examples
pp. xiii-xvi(4)

Introduction
pp. 1-9(9)

1 Theories, Frames, Methods, and Lenses: An Ethnographic Approach to the Study of Tanzanian Kwaya Music
pp. 10-28(19)

2 East African Kwaya Music and the Colonial and Missionary Encounter
pp. 29-58(30)

3 Conflicting, Complementary, and Divergent Aesthetics of Kwaya Music
pp. 59-77(19)

4 "We Are From Different Ethnic Groups, But We Live Here As One Family": The Musical Performance of Community in an East African Kwaya
pp. 78-104(27)

5 Kwaya Music and the Performance of Spirituality and Disaffection: Music and Worship in a Tanzanian Kwaya Community
pp. 105-115(11)

6 Kwayas, Kandas, Kiosks: Tanzanian Popular Kwaya Music
pp. 116-134(19)

7 Social Organization and the Creation of Sacred Space within Kwaya ya Upendo
pp. 135-156(22)

8 "I Am Able To See Very Far But I Am Unable To Reach There": Ndugu Gideon Mdegella's Nyimbo za Kwaya
pp. 157-186(30)

9 Conclusion
pp. 187-197(11)

References Cited
pp. 198-205(8)

Glossary
pp. 206-210(5)

Appendices
pp. 211-220(10)