Avant Garde Critical Studies

INTRODUCTION
pp. 1-2(2)

DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE
pp. 3-27(25)
Author: Mario Moroni

DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE. On some contrasts and correspondences between Dada in Zurich and Berlin
pp. 29-57(29)
Author: Hubert van den Berg

SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC. THE ANXIETY OF JOYCE
pp. 59-80(22)
Author: Christine van Boheemen

PROUST AND SUBJECTIVITY
pp. 81-106(26)
Author: Annelies Schulte Nordholt

A GLIMPSE OF THE SELF. Defence of subjectivity in Beckett and his later theatre
pp. 107-167(61)
Author: Matthijs Engelberts

THE SUBJECT IN MODERN RUSSIAN POETRY
pp. 169-192(24)
Author: Willem G. Weststeijn

SELF-AWARENESS AND SELF-KNOWLEDGE. Mental Familiarity and Epistemic Self-Ascription
pp. 193-215(23)
Author: Manfred Frank

TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY
pp. 217-233(17)
Author: Willem van Reijen

The Russian Novel as a Serial Murder or The Poetics of Bureaucracy
pp. 235-254(20)
Author: Boris Groys

SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC
pp. 255-281(27)
Author: Albrecht von Massow

NEW SUBJECTIVITY IN CINEMA. THE VERTIGO OF STRANGE DAYS
pp. 283-314(32)
Author: Patricia Pisters

IT TAKES THREE TO EPISTEMOLOGY
pp. 315-330(16)
Author: Saskia Kersenboom