Amsterdamer Beiträge zur neueren Germanistik

List of Contributors
pp. 7-8(2)

Acknowledgements
pp. 9-10(2)
Authors: Schönfeld, Christiane

Introduction
pp. 11-26(16)
Authors: Schönfeld, Christiane

Filmed Fausts: Cardboard Cut-Outs or Blueprints of the Soul?
pp. 27-38(12)
Author: Durrani, Osman

The Swan and the Moped. Shifts in the Presentation of Violence from Kleist's "Die Marquise von O…" to Christoph Stark's Julietta
pp. 39-58(20)
Author: Schmidt, Ricarda

"Inspired by Schnitzler's Traumnovelle": The Intersemiotic Representation of Figural Consciousness in Eyes Wide Shut
pp. 59-80(22)
Authors: Donovan, Siobhán

Reflections on the Literary Antecedents of Murnau's Tabu
pp. 81-88(8)
Author: Ridley, Hugh

Perceptions of the Self as the Other: Double-Visions in Literature and Film
pp. 89-118(30)
Authors: BĠr, Gerald

"Mit einem kleinen Ruck, wie beim Kinematographen". From the Unmaking of Professor Unrat to an Unmade Der blaue Engel
pp. 119-132(14)
Author: Carr, Gilbert

German Film Adaptations of Jewish Characters in Thomas Mann
pp. 133-140(8)
Author: Elsaghe, Yahya

Literary and Cinematographic Reflections on the Human Condition by Anna Seghers and Fred Zinnemann
pp. 141-156(16)
Author: Maier-Katkin, Birgit

Two Foxes of Glenarvon
pp. 157-168(12)
Author: Bourke, Eoin

Perspective and Reality. Cinematic Transformation of the Narrative Perspective in Schlöndorff's Die Blechtrommel
pp. 169-190(22)
Author: Martinec, Thomas

"Their Adam's Apple Put Them on Screen": Hansjürgen Pohland's Cat and Mouse and the Narrative of the Male Body
pp. 191-206(16)
Author: Smith-Prei, Carrie

From Bestseller to Failure? Heinrich Böll's Irisches Tagebuch (Irish Journal) to Irland und seine Kinder (Children of Eire)
pp. 207-221(15)
Author: Holfter, Gisela

A German Poet at the Movies: Rolf Dieter Brinkmann
pp. 223-234(12)
Authors: Röhnert, Jan

"Literatur und Linse": Enzensberger Goes to the Movies
pp. 235-250(16)
Author: King, Alasdair

Thomas Brussig's Ostalgie in Print and on Celluloid
pp. 251-267(17)
Author: Cormican, Muriel

"But Somehow it Was Only Television": West German Narratives of the Fall of the Wall in Recent Novels and their Screen Adaptations
pp. 269-292(24)
Author: Gremler, Claudia

Sex, Violence and Schubert. Michael Haneke's La Pianiste and Elfriede Jelinek's Die Klavierspielerin
pp. 293-306(14)
Author: Wigmore, Juliet

Intermediality and the Intercultural Dimension in Karin Brandauer's Film Sidonie based on Erich Hackl's Abschied von Sidonie
pp. 307-318(12)
Author: Tebbutt, Susan

Robert Schneider's Novel Schlafes Bruder in the Light of its Screen Version by Joseph Vilsmaier
pp. 319-332(14)
Author: Spitz, Markus Oliver

Transposition or Translation? Fiction to Film in Doris Dörrie's Nobody Loves Me and Am I Beautiful?
pp. 333-346(14)
Author: Malone, Paul M.

Taking Doris Dörrie Seriously: Literature, Film, Gender
pp. 347-362(16)
Author: McIsaac, Peter M.

Adaptation as a Process of Interpretation: Nowhere in Africa - From Stefanie Zweig to Caroline Link
pp. 363-374(12)
Author: Djoufack, Patrice

Alexander Kluge: Utopian Cinema
pp. 375-384(10)
Author: Stoneman, Rod