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The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.

Publisher: Oxford University Press

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Volume 34, Number 3, October 2011

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Introduction: Early Modern Horror
pp. 321-333(13)
Author: Loh, Maria H.

The Horror of Mimesis
pp. 335-353(19)
Author: Kim, David Young

Wonderful Creatures: Early Modern Perceptions of Deformed Bodies
pp. 415-431(17)
Author: Lazzarini, Elena

The Horror of Touch: Anna Morandi's Wax Models of Hands
pp. 433-447(15)
Author: San Juan, Rose Marie

Chronotopologies of Art History
pp. 471-476(6)
Author: Campbell, Erin J.

Identity Crisis
pp. 476-480(5)
Author: Serchuk, Camille

Eyes Wide Shut or the Renaissance of Sex
pp. 480-483(4)
Author: Pfisterer, Ulrich

Painting from Life
pp. 483-486(4)
Author: McTighe, Sheila

The Paradox of Still Life
pp. 486-488(3)
Author: Grootenboer, Hanneke

Visual Anorexia in Early Modern British Print Culture
pp. 488-493(6)
Author: Raymond, Joad

Abstracts
pp. 495-497(3)

Notes on Contributors
pp. 499-501(3)

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