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The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.

Publisher: Oxford University Press

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Volume 34, Number 2, June 2011

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The Pygmalion Impulse in Historic Preservation: The Dresden Zwinger
pp. 203-226(24)
Author: Hertel, Christiane

The Tragic Image: Action Painting Refigured
pp. 227-246(20)
Author: Slifkin, Robert

Reviving the Collective Body: Gina Pane's Escalade Non Anesthésiée
pp. 247-263(17)
Authors: Baumgartner, Frédérique

The Ritual of Observing
pp. 287-292(6)
Author: Lakey, Christopher R.

Print and the Productivity of Death
pp. 292-294(3)
Author: San Juan, Rose Marie

Contested Pleasures
pp. 295-297(3)
Author: Geczy, Adam

Absent or Deferred? Utopia and Desire in Postmodern Architecture
pp. 297-302(6)
Author: Zimmerman, Claire

Screening Memories or It's About Space! It's About Time!
pp. 302-306(5)
Author: Balfour, Ian

Processing the Medium
pp. 306-309(4)
Author: Wells, Rachel

Abstracts
pp. 311-313(3)

Notes on Contributors
pp. 315-317(3)

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