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The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.

Publisher: Oxford University Press

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Volume 31, Number 3, October 2008

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Giambologna and the Sculpture with No Name
pp. 337-359(23)
Author: Cole, Michael

Recomposing the Body Politic in Seventeenth-century Delft
pp. 361-381(21)
Author: Vanhaelen, Angela

Roman Art and Laughing Viewers
pp. 425-431(7)
Author: Kropp, Andreas J. M.

Out of Place
pp. 431-435(5)
Author: Boldrick, Stacy

The Politics of Posterity
pp. 435-438(4)
Author: Retford, Kate

In Media Res
pp. 442-447(6)
Author: Desbuissons, Frdrique

Flexible Design? Art in a Binocular Empire
pp. 447-451(5)
Author: Eaton, Natasha

Slavery Represented or Slavery Illustrated?
pp. 451-454(4)
Author: Kriz, Kay Dian

What Lies Beneath
pp. 454-457(4)
Author: Smiles, Sam

What's So Amazing about the Amazing Continuity?
pp. 457-460(4)
Author: Patterson, Jody

Border Crossings
pp. 460-463(4)
Author: Lovatt, Anna

Photography and its Truth-Event
pp. 463-468(6)
Author: Roberts, John

Abstracts
pp. 469-470(2)

Notes on Contributors
pp. 471-473(3)

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