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The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.

Publisher: Oxford University Press

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Volume 28, Number 1, March 2005

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‘Keep Your Distance’
pp. 45-59(15)
Authors: Lütticken, Sven

Harriet Hosmer and the Feminine Sublime
pp. 61-81(21)
Author: Gopinath, Gabrielle

Review: What's in a Relic?
pp. 119-124(6)
Author: Hills, Helen M.

Review: Looking Again
pp. 124-126(3)
Author: Brothers, Cammy

Review: The Manic, the Public and the Visual
pp. 126-129(4)
Author: Topp, Leslie

Review: Recontextualising Orientalism
pp. 129-131(3)
Author: Shaw, Jennifer L.

Review: Refiguring Rodin
pp. 131-135(5)
Author: Getsy, David J.

Review: What a Difference Nothing Makes
pp. 138-141(4)
Author: Butt, Gavin

Abstracts
pp. 143-145(3)

Notes on contributors
pp. 146-146(1)

Erratum
pp. 147-147(1)

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