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For two decades, The Opera Quarterly, has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening and enjoyable reading on all aspects of opera.

Publisher: Oxford University Press

Volume 23, Numbers 2-3, 4 October 2007
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A Note from the Guest Editors
pp. 145-150(6)
Authors: Clark, Caryl; Hutcheon, Linda; Hutcheon, Michael

Wagner and the Origin of Evil
pp. 151-183(33)
Author: Hoeckner, Berthold

Gtterdmmerung, Fhrerdmmerung?
pp. 184-198(15)
Author: McClatchie, Stephen

Brnnhilde's Act
pp. 199-216(18)
Author: iek, Slavoj

Primal Sounds
pp. 217-246(30)
Author: Weiner, Marc A.

Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century
pp. 247-264(18)
Author: Gilman, Sander L.

Faithful, all too Faithful: Fidelity and Ring Stagings
pp. 265-276(12)
Author: Millington, Barry

Wagner in Pieces: Opera, the Fragment, and Acoustic Totality
pp. 277-294(18)
Author: Germano, William

Sein oder Schein? Paul Bekker's Mirror Image and the Ethical Voice of Humane Opera
pp. 295-310(16)
Author: Nielsen, Nanette

To the Mirror Image
pp. 311-317(7)
Author: Bekker, Paul

Introduction to Zehelein
pp. 318-320(3)
Author: Levin, David J.

The Stuttgart Ring, 19992000
pp. 321-325(5)
Author: Zehelein, Klaus

An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring
pp. 326-329(4)
Author: Reichenbcher, Helmut

Images from Michael Levine's Sketchbook
pp. 330-337(8)
Author: Levine, Michael

Introduction to Lars von Trier's Deed of Conveyance
pp. 338-340(3)
Author: Minor, Ryan

Deed of Conveyance
pp. 341-347(7)
Author: von Trier, Lars

Christian Thorau: Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners
pp. 348-351(4)
Author: Rehding, Alexander

Dieter Thom: Totalitt und Mitleid: Richard Wagner, Sergej Eisenstein, und unsere ethisch-sthetische ModerneTobias Janz: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners Ring des Nibelungen
pp. 352-359(8)
Author: Powell, Larson

Patrick Carnegy: Wagner and the Art of the Theatre
pp. 360-367(8)
Author: Grey, Thomas

Note
pp. 368-368(1)

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