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For two decades, The Opera Quarterly, has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening and enjoyable reading on all aspects of opera.

Publisher: Oxford University Press

Volume 20, Number 2, 2004
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Quarter Notes
pp. 165-165(1)

The Influence of Auber's Le Domino noir on La traviata
pp. 166-170(5)
Author: Edgecombe, Rodney Stenning

Verdi Onstage in the United States: Ernani
pp. 171-196(26)
Author: Martin, George

Mr. Meek Goes to Washington
pp. 197-267(71)
Author: McPherson, Jim

The Compassionate Voice: The Recordings of Anna Tomowa-Sintow
pp. 268-282(15)
Author: Gray, Timothy O.

OperaKrostik
pp. 283-285(3)
Author: Agol, Alan W.

Interpreting Wagner
pp. 286-290(5)
Author: Buller, Jeffrey L.

I Never Walked Alone: The Autobiography of an American Singer
pp. 290-293(4)
Author: Albright, William

Valery Gergiev and the Kirov: A Story of Survival
pp. 293-299(7)
Author: Kaufman, Tom

Covent Garden: The Untold Story
pp. 293-299(7)
Author: Kaufman, Tom

Michael William Balfe: His Life and His English Operas
pp. 299-303(5)
Author: Law, Joe K.

Books Received
pp. 303-303(1)

Alcina. George Frideric Handel
pp. 304-307(4)
Author: Rishoi, Niel

I due Foscari. Giuseppe Verdi
pp. 307-309(3)
Author: Baxter, Robert

Ruslan and Lyudmila. Mikhail Glinka
pp. 310-313(4)
Author: Pines, Roger

Die tote Stadt. Erich Wolfgang Korngold
pp. 313-317(5)
Author: McKee, David

DVDs Received
pp. 317-318(2)

Maggie Teyte: A Vocal Portrait
pp. 319-322(4)
Author: Pines, Roger

Fidelio. Ludwig van Beethoven
pp. 326-329(4)
Author: Graeme, Roland

Robert Bruce. Gioachino Rossini
pp. 330-331(2)
Author: Ashbrook, William

Tristan und Isolde. Richard Wagner
pp. 331-332(2)
Author: Ashbrook, William

Der Rosenkavalier. Richard Strauss
pp. 332-335(4)
Author: Pines, Roger

Bluebeard's Castle. Béla Bartók
pp. 335-338(4)
Author: Graeme, Roland

Cecilia Bartoli: The Salieri Album
pp. 339-341(3)
Author: Glasow, E. Thomas

Recordings Received
pp. 341-343(3)

Correspondence
pp. 344-345(2)

Answers to OperaKrostik
pp. 349-349(1)

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