Opera Quarterly

Quarter Notes
pp. 1-2(2)

Erratum
pp. 2-2(1)

Verdi Onstage in the United States

The Metropolitan Opera's Sunday Evening Concerts and Verdi
pp. 16-27(12)
Author: G. Martin

The Savage Innocents
pp. 28-63(36)
Author: Jim McPherson

The Œdipe of Georges Enesco and Edmond Fleg
pp. 64-79(16)
Author: Jeffrey L. Buller

Tannhäuser on CD: Five Recent Entries
pp. 80-93(14)
Author: R. Graeme

Vignette
pp. 94-94(1)

OperaKrostik
pp. 95-97(3)
Author: A.W. Agol

German Opera: From the Beginnings to Wagner
pp. 98-103(6)
Author: S.A. Willier

Pietro Mascagni and His Operas
pp. 104-109(6)
Author: R. Baxter

Sing Sorrow: Classics, History, and Heroines in Opera
pp. 110-113(4)
Author: J.L. Buller

Opera: A History in Documents
pp. 113-116(4)
Author: C. Hatch

Tim Page on Music: Views and Reviews
pp. 116-120(5)
Author: J.K. Law

Opera, Sex, and Other Vital Matters
pp. 116-120(5)
Author: J.K. Law

Books Received
pp. 120-121(2)

Rigoletto. Giuseppe Verdi
pp. 122-125(4)
Author: N. Rishoi

Otello. Giuseppe Verdi
pp. 126-130(5)
Author: D. McKee

NBC “Standard Hour” Broadcasts, San Francisco War Memorial Opera House
pp. 131-135(5)
Author: L. Green

Manuel Salazar, Costa Rica's Forgotten Tenor
pp. 135-137(3)
Author: R. Baxter

Hercules. George Frideric Handel
pp. 138-142(5)
Author: R. Graeme

La Cecchina, ossia La buona figliuola. Niccolò Piccinni
pp. 142-145(4)
Author: W. Fregosi

Der Freischütz. Carl Maria von Weber
pp. 145-152(8)
Author: R. Graeme

Les diamants de la couronne. Daniel-François-Esprit Auber
pp. 152-154(3)
Author: R. Graeme

The Bartered Bride. Bedich Smetana
pp. 155-156(2)
Author: Roger Pines

The Good Soldier Schweik. Robert Kurka
pp. 157-158(2)
Author: G. Jellinek

Arias for Farinelli
pp. 158-160(3)
Author: E. Thomas Glasow

Recordings Received
pp. 161-165(5)

Contributors to This Issue
pp. 166-166(1)