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For two decades, The Opera Quarterly, has earned enthusiastic praise from opera lovers and professionals for its presentation of stimulating, enlightening and enjoyable reading on all aspects of opera.

Publisher: Oxford University Press

Volume 18, Number 2, 2002
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The Opera Quarterly
pp. i-iv(1)

Quarter Notes
pp. 153-154(2)

In Review: Met Stars Sing Verdi
pp. 155-182(28)
Author: Bruce Burroughs

National Opera in Croatia and Finland, 1846–1899
pp. 183-200(18)
Author: William A. Everett

A Day with Camilla Williams
pp. 219-230(12)
Author: Elizabeth Nash

Interrupted Melody: Otto Klemperer, Lohengrin, and Budapest
pp. 231-244(14)
Author: Andrew Farkas

OperaKrostik
pp. 245-247(3)
Author: Alan W. Agol

Heart to Heart: Expressive Singing in England 1780–1830
pp. 252-257(6)
Author: Stephen A. Willier

Books Received
pp. 269-270(2)

Orfeo ed Euridice. Christoph Willibald von Gluck
pp. 271-273(3)
Author: Roger Pines

La romanziera e l'uomo nero. Gaetano Donizetti
pp. 273-274(2)
Author: William Ashbrook

Maria Stuarda. Gaetano Donizetti
pp. 275-280(6)
Author: Roland Graeme

Alzira. Giuseppe Verdi
pp. 280-283(4)
Author: Roland Graeme

Carmen. Georges Bizet
pp. 284-287(4)
Author: Roger Pines

Samson et Dalila. Camille Saint-Saëns
pp. 287-288(2)
Author: George Jellinek

Zazà. Ruggero Leoncavallos
pp. 288-291(4)
Author: William Fregosi

Sir John in Love. Ralph Vaughan Williams
pp. 291-295(5)
Author: Joe K. Law

Ramón Vargas:: Verdi Arias
pp. 295-297(3)
Author: Roland Graeme

Recordings Received
pp. 298-300(3)

Correspondence
pp. 301-304(4)
Authors: Rev. Stephen Woodland; John M. Gehl; Marilyn Cereghino; Bruce Burroughs; Andrew Farkas; Barrett Crawford; Joseph Hooker; The Editor The Opera Quarterly>

Answers to OperaKrostik
pp. 308-308(1)

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