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Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.

Publisher: Oxford University Press

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Volume 92, Number 4, 18 November 2011

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Reviews: Index
pp. ii-vi(5)

Imagining the Infinite in Carl Ruggless Evocations
pp. 582-606(25)
Author: Massey, Drew

Authorship and the Popular Song
pp. 607-629(23)
Author: Negus, Keith

Gregorian Chant. By David Hiley.
pp. 633-636(4)
Author: Crocker, Richard

Mendelssohn in Performance. Ed. by Siegwart Reichwald.
pp. 659-661(3)
Author: Schmidt-Beste, Thomas

Erik Satie. By Mary E. Davis.Debussy. By David J. Code.
pp. 667-669(3)
Author: Whittall, Arnold

Martin and the Symphony. By Michael Crump.
pp. 684-685(2)
Author: Fanning, David

The Twelve-Tone Music of Luigi Dallapiccola. By Brian Alegant.
pp. 685-687(3)
Author: Whittall, Arnold

Chambonnires
pp. 696-696(1)
Author: Ledbetter, David

Brahms and His World
pp. 696-697(2)

Paul B. Berry responds:
pp. 697-698(2)
Author: Berry, Paul

Peter Clive replies:
pp. 698-698(1)
Author: Clive, Peter

The Westrup Prize
pp. 699-699(1)

Notes to Contributors
pp. 700-700(1)

Music & Letters Awards
pp. 701-701(1)

Books Received
pp. 702-703(2)

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