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Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.

Publisher: Oxford University Press

Volume 84, Number 1, February 2003
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The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition
pp. 1-18(18)
Author: Monson C.

Pilgrimages to Beethoven: Reminiscences by His Contemporaries
pp. 19-54(36)
Author: Knittel K.M.

The Triumph of Diversity: Theories of French Accentuation and Their Influence on Verdi's French Operas
pp. 55-83(29)
Author: Giger A.

The Viola da Gamba Society Index of Manuscripts Containing Consort Music, i
pp. 84-87(4)
Author: Pinto D.

Musik und Szene: Festschrift Für Werner Braun zum 75. Geburtstag
pp. 87-88(2)
Author: Strohm R.

Early Keyboard Instruments: A Practical Guide
pp. 89-91(3)
Author: de Val D.

Giraffes, Black Dragons, and Other Pianos: A Technological History from Cristofori to the Modern Concert Grand
pp. 91-94(4)
Author: de Val D.

Bach: The Goldberg Variations
pp. 94-95(2)
Author: Rose S.

Analyzing Bach Cantatas
pp. 95-97(3)
Author: Dirst M.

Handel's Muse: Patterns of Creation in his Oratorios and Musical Dramas, 1743–1751
pp. 97-98(2)
Author: Parker M.A.

Giacomo Francesco Milano e il ruolo dell'aristocrazia nel patrocinio delle attività musicali nel secolo XVIII, iv
pp. 99-100(2)
Author: Talbot M.

A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
pp. 100-102(3)
Author: Jones P.W.

Michel-Jean Sedaine (1719–1797): Theatre, Opera and Art
pp. 102-104(3)
Author: Darlow M.

Music of the Raj: A Social and Economic History of Music in Late Eighteenth-Century Anglo-Indian Society
pp. 104-106(3)
Author: Sorrell N.

The Cambridge Companion to Beethoven
pp. 106-108(3)
Author: Spitzer M.

Le Théâtre de l'Opéra-Comique sous la Restauration: enquête autour d'un genre moyen
pp. 108-110(3)
Author: Everist M.

Private Music Collections: Catalogs and Cognate Literature
pp. 110-112(3)
Author: Wagstaff J.

Georges Bizet: naissance d'une identité créatrice
pp. 112-113(2)
Author: Wright L.A.

Fauré and French Musical Aesthetics
pp. 113-117(5)
Author: Moore S.

Debussy and his World
pp. 117-120(4)
Author: Kelly B.

Albert Roussel (1869–1937): un marin musicien
pp. 120-121(2)
Author: Rae C.

A Century of Recorded Music: Listening to Musical History
pp. 121-124(4)
Author: Freeman-Attwood J.

The Voice of Music: Conversations with Composers of Our Time
pp. 125-127(3)
Author: Mark C.

Settling the Score: A Journey through the Music of the 20th Century
pp. 125-127(3)
Author: Mark C.

Moving Music: Dialogues with Music in Twentieth-Century Ballet
pp. 127-130(4)
Author: Stilwell R.J.

‘Composing with Tones’: A Musical Analysis of Schoenberg's Op. 23 Pieces for Piano
pp. 130-132(3)
Author: Simms B.R.

Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe
pp. 132-136(5)
Author: Heile B.

Jüdische Musik in Sowjetrussland: Die ‘jüdische Nationale Schule’ der zwanziger Jahre
pp. 136-138(3)
Author: Fanning D.

Dmitri Schostakowitsch und das jüdische musikalische Erbe/Dmitri Shostakovich and the Jewish Heritage in Music
pp. 136-138(3)
Author: Fanning D.

Le Destin juif et la musique: trois mille ans d'histoire
pp. 136-138(3)
Author: Fanning D.

Music, Tendencies, and Inhibitions: Reflections on a Theory of Leonard Meyer
pp. 138-141(4)
Author: Whittall A.

Stravinsky's Late Music
pp. 141-143(3)
Author: Gloag K.

Jazz on the Road: Don Albert's Musical Life
pp. 143-145(3)
Author: Elsdon P.

A Ned Rorem Reader
pp. 146-147(2)
Author: Nicholls D.

Dichtung und Musik bei Ingeborg Bachmann und Hans Werner Henze: Der Augenblick der Wahrheit am Beispiel ihres Opernschaffens
pp. 147-149(3)
Author: Heile B.

Music of Thrace. An Interdisciplinary Approach: Evros
pp. 149-152(4)
Author: Dawe K.N.

Documents of Ancient Greek Music: The Extant Melodies and Fragments
pp. 153-154(2)
Author: Harris S.

The Collected Secular Works: Canzone villanesche al modo napolitano (1545)/Libro primo de canti a quatro voci (1548)
pp. 154-155(2)
Author: DeFord R.I.

Complete Keyboard Music
pp. 155-157(3)
Author: Morehen J.

Lyra Viol Duets, ed. by Oleg V. Timofeyev
pp. 157-159(3)
Author: Pinto D.

Fantasia-Suites, i, ed. by Andrew Ashbee
pp. 157-159(3)
Author: Pinto D.

‘Petits motets’ from the Royal Convent School at Saint-Cyr
pp. 159-161(3)
Author: Montagnier J-P.

De profundis clamavi, S. 23, ed. by Lionel Sawkins
pp. 161-163(3)
Author: Heyer J.H.

Performances in Transcription, 1927–1943, ed. by Paul S. Machlin
pp. 163-165(3)
Author: Martin H.

Recipients of ‘Music & Letters’ Awards
pp. 165-165(1)

Notes to Contributors
pp. 166-167(2)

Books Received
pp. 168-169(2)

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