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Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.

Publisher: Oxford University Press

Volume 83, Number 3, August 2002
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The First Musical Edition of the Troubadours: On Applying the Critical Method to Medieval Monophony
pp. 351-370(20)
Author: Haines J.

The Roman Triumph in Purcell's Odes
pp. 371-382(12)
Author: Miller A.

Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists
pp. 383-418(36)
Author: Savage R.

New Light on the Early Career of G. B. Viotti
pp. 419-425(7)
Author: Lister W.

Schubert, Kramer, and Musical Meaning
pp. 426-440(15)
Author: Head M.

Minstrels and Angels: Carvings of Musicians in Medieval English Churches
pp. 441-443(3)
Author: Remnant M.

Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
pp. 443-447(5)
Author: Leach E.E.

Music of the Baroque
pp. 447-448(2)
Author: Saunders S.

L'Art de bien chanter: Michel Lambert (1610–1696)
pp. 449-453(5)
Author: Downey C.T.

A Reader's Guide to Haydn's Early String Quartets
pp. 453-454(2)
Author: Sutcliffe W.D.

Orientalism, Masquerade and Mozart's Turkish Music
pp. 455-458(4)
Author: Perl B.

Women Writing Opera: Creativity and Controversy in the Age of the French Revolution
pp. 458-460(3)
Author: Dill C.

Ludwig van Beethovens Konversationshefte, 11
pp. 460-462(3)
Author: Cooper B.

Carl Maria von Webers Klaviermusik im Kontext des 19. Jahrhunderts. Bericht des Symposiums der Internationalen Carl Maria von Weber Gesellschaft. Weimar, 21. Oktober 2000
pp. 462-463(2)
Author: Warrack J.

Musik zwischen Komponist, Verlag und Publikum: Die Rahmenbedingungen des Musikschaffens in Deutschland im ersten Drittel des 19. Jahrhunderts
pp. 463-465(3)
Author: Jones P.W.

Die Frage als musikalischer Topos: Studien zur Motivbildung in der Musik des 19. Jahrhunderts
pp. 465-466(2)
Author: Monelle R.

La Grandeur de Bach: l'amour de la musique en France au XIXe siècle
pp. 467-469(3)
Author: Ellis K.

Organists and Organ Playing in Nineteenth-Century France and Belgium
pp. 469-472(4)
Author: Sykes I.J.

The Life of Verdi
pp. 472-473(2)
Author: Kimbell D.

Verdi-Studien: Pierluigi Petrobelli zum 60. Geburtstag
pp. 474-476(3)
Author: Marvin R.M.

Metrik und Form bei Bruckner
pp. 476-480(5)
Author: Howie C.

A History of the Oratorio, iv: The Oratorio in the Nineteenth and Twentieth Centuries
pp. 480-482(3)
Author: Caldwell J.

Unsung: A History of Women in American Music
pp. 482-485(4)
Author: Citron M.J.

Debussy in Performance
pp. 485-491(7)
Author: Howat R.

The Art of Performance
pp. 491-492(2)
Author: Riley M.

Ernst Kurths ‘Grundlagen des linearen Kontrapunkts’: Ursprung und Wirkung eines musik-psychologischen Standardwerkes
pp. 492-493(2)
Author: Drabkin W.

The Cambridge Companion to Bartók
pp. 493-498(6)
Author: Grimley D.M.

Letters of Gerald Finzi and Howard Ferguson
pp. 498-499(2)
Author: Joubert J.

William Walton: Muse of Fire
pp. 499-501(3)
Author: Frogley A.

Opera on Screen
pp. 501-503(3)
Author: Greenwald H.M.

La Vie musicale sous Vichy
pp. 503-505(3)
Author: Carroll M.

Galina Ustwolskaja: Musik als magische Kraft
pp. 505-506(2)
Author: Fanning D.

The Sense of Music: Semiotic Essays
pp. 506-509(4)
Author: Spitzer M.

Music, Culture and Society: A Reader
pp. 509-511(3)
Author: Taylor-Jay C.

Representing Musical Time: A Temporal-Logic Approach
pp. 511-514(4)
Author: Dixon M.

The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707
pp. 511-511(1)
Author: Stowell R.

To the Editors of ‘Music & Letters’
pp. 515-519(5)
Authors: Korstvedt B.M.; Langley L.; Bashford C.

The Westrup Prize
pp. 519-519(1)

Books Received
pp. 522-523(2)

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