Music and Letters

The First Musical Edition of the Troubadours: On Applying the Critical Method to Medieval Monophony
pp. 351-370(20)
Author: Haines J.

The Roman Triumph in Purcell's Odes
pp. 371-382(12)
Author: Miller A.

Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists
pp. 383-418(36)
Author: Savage R.

New Light on the Early Career of G. B. Viotti
pp. 419-425(7)
Author: Lister W.

Schubert, Kramer, and Musical Meaning
pp. 426-440(15)
Author: Head M.

Minstrels and Angels: Carvings of Musicians in Medieval English Churches
pp. 441-443(3)
Author: Remnant M.

Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
pp. 443-447(5)
Author: Leach E.E.

Music of the Baroque
pp. 447-448(2)
Author: Saunders S.

L'Art de bien chanter: Michel Lambert (1610–1696)
pp. 449-453(5)
Author: Downey C.T.

A Reader's Guide to Haydn's Early String Quartets
pp. 453-454(2)
Author: Sutcliffe W.D.

Orientalism, Masquerade and Mozart's Turkish Music
pp. 455-458(4)
Author: Perl B.

Women Writing Opera: Creativity and Controversy in the Age of the French Revolution
pp. 458-460(3)
Author: Dill C.

Ludwig van Beethovens Konversationshefte, 11
pp. 460-462(3)
Author: Cooper B.

Carl Maria von Webers Klaviermusik im Kontext des 19. Jahrhunderts. Bericht des Symposiums der Internationalen Carl Maria von Weber Gesellschaft. Weimar, 21. Oktober 2000
pp. 462-463(2)
Author: Warrack J.

Musik zwischen Komponist, Verlag und Publikum: Die Rahmenbedingungen des Musikschaffens in Deutschland im ersten Drittel des 19. Jahrhunderts
pp. 463-465(3)
Author: Jones P.W.

Die Frage als musikalischer Topos: Studien zur Motivbildung in der Musik des 19. Jahrhunderts
pp. 465-466(2)
Author: Monelle R.

La Grandeur de Bach: l'amour de la musique en France au XIX^e siècle
pp. 467-469(3)
Author: Ellis K.

Organists and Organ Playing in Nineteenth-Century France and Belgium
pp. 469-472(4)
Author: Sykes I.J.

The Life of Verdi
pp. 472-473(2)
Author: Kimbell D.

Verdi-Studien: Pierluigi Petrobelli zum 60. Geburtstag
pp. 474-476(3)
Author: Marvin R.M.

Metrik und Form bei Bruckner
pp. 476-480(5)
Author: Howie C.

A History of the Oratorio, iv: The Oratorio in the Nineteenth and Twentieth Centuries
pp. 480-482(3)
Author: Caldwell J.

Unsung: A History of Women in American Music
pp. 482-485(4)
Author: Citron M.J.

Debussy in Performance
pp. 485-491(7)
Author: Howat R.

The Art of Performance
pp. 491-492(2)
Author: Riley M.

Ernst Kurths ‘Grundlagen des linearen Kontrapunkts’: Ursprung und Wirkung eines musik-psychologischen Standardwerkes
pp. 492-493(2)
Author: Drabkin W.

The Cambridge Companion to Bartók
pp. 493-498(6)
Author: Grimley D.M.

Letters of Gerald Finzi and Howard Ferguson
pp. 498-499(2)
Author: Joubert J.

William Walton: Muse of Fire
pp. 499-501(3)
Author: Frogley A.

Opera on Screen
pp. 501-503(3)
Author: Greenwald H.M.

La Vie musicale sous Vichy
pp. 503-505(3)
Author: Carroll M.

Galina Ustwolskaja: Musik als magische Kraft
pp. 505-506(2)
Author: Fanning D.

The Sense of Music: Semiotic Essays
pp. 506-509(4)
Author: Spitzer M.

Music, Culture and Society: A Reader
pp. 509-511(3)
Author: Taylor-Jay C.

Representing Musical Time: A Temporal-Logic Approach
pp. 511-514(4)
Author: Dixon M.

The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707
pp. 511-511(1)
Author: Stowell R.

To the Editors of ‘Music & Letters’
pp. 515-519(5)
Authors: Korstvedt B.M.; Langley L.; Bashford C.

The Westrup Prize
pp. 519-519(1)

Books Received
pp. 522-523(2)